WAVES 的带图小技巧又来啦！
今天是关于使用动态 EQ 的！
1. Shrillness in singer's voice when loud part hits
问题 1. 大音量冲击时，歌手的声音有收缩感
You can rein in the shrillness in a singer's voice when he or she begins belting out the chorus,
while still retaining vital presence during the quieter verses.
解决方法：
你可以在歌手开始唱出副歌时控制其声音高频的尖锐程度，
而在较安静的诗句中仍然保持其空气感。
2. Harsh cymbal hits on certain parts of a dynamic drum performance
问题 2. 在动态鼓演奏的某些部分打出了刺耳的钹片声
You can tame harsh cymbal crashes when the drummer Starts getting carried away,
but leave the cymbals untouched when the drummer is playing with a bit more restraint.
解决方法：
当鼓手打得忘乎所以时，你可以调制刺耳的钹片撞击声，
但当鼓手在演奏得比较克制时，就不必去调钹片。
3. Bass gets loud only on some notes? No problem!
问题 3. 贝斯只在某些音符上大声？没问题!
When mixing bass, it's very common for certain frequency areas to stand out more than others
and therefore,some notes.
With a dynamic EQ, you can control bass guitar notes and apply gain reduction
only at certain times and not statically throughout the whole song.
解决方法：
在对贝司进行混音时，某些频率区域比其他频率区域更突出是非常常见的，
因此，一些音符就会比较突出。
使用了动态均衡器，你可以控制低音吉他的音符，
只在某些时候应用增益降低，而不是在整首歌中静态地应用。
4. Hi-hat is too bright ina mix, but you're happy with the snare sound.
问题 4. 踩镲在混音中太亮太突出了，但你中意的是军鼓的声音。
If you try and compress (or apply traditional equalization to) the hats, you'll end up also dulling the snare sound.
With a dynamic equalizer, you can use the snare hits as a sidechain input to the hi-hat track
so that you only roll off top end whenever the snare isn't being hit.
You can even EQ the transient of a sound one way,
and the sustain portion a different way
- scoop out the "boxiness” of a sound without affecting its attack at all.
解决方法：
如果你试图压缩（或应用传统的均衡）踩鑔，你最终也会使军鼓的声音变得迟钝。
有了动态均衡器，你可以把军鼓的敲击声作为侧链输入到踩鑔的轨道上，
这样你就可以在军鼓没有被敲击的时候削弱高频。
你甚至可以用一种方式对声音的瞬态进行均衡，
用另一种方式对延音部分进行均衡
--在不影响声音的冲击力的情况下挖出声音的 "箱体"。
5. Even out an acoustic guitar performance.
问题 5. 展现原声吉他演奏。
You can reduce or eliminate that annoying boominess that sometimes occurs when certain notes are played on acoustic guitar
- especially important when the problem frequencies sit close to those of other instruments in the arrangement.
解决方法：
你可以减少或消除原声吉他演奏某些音符时出现的恼人的轰鸣声
--当问题频率与编曲中其他乐器的频率接近时，这一点尤其重要。
6. Classic Kick and Bass sidechain with a twist.
问题 6. 经典的Kick和Bass侧链，当中的拐点。
One of the most common uses for sidechain compression in general is
to use the sidechain signal from the kick to duck the volume of your bass track in order to avoid having the bass mask the kick drum.
However, applying broadband compression can result in an unnatural (and not always desired) pumping effect.
With a Dynamic EQ you can apply gain reduction only at the problematic frequency area and avoid this pumping effect.
解决方法：
一般来说，侧链压缩最常见的用途之一是：
使用来自底鼓的侧链信号来降低贝斯轨道的音量，以避免贝斯掩盖底鼓鼓的声音。
然而，使用普通压缩会导致一种不自然的（并不总是想要的）抽动效果。
有了动态均衡器，你可以只在有问题的频率区域应用增益降低，避免这种抽动效果。
这 6 种情况的解决方法，你学到了么？
