Wavelet Audio 一直专注于 Kontakt 影视配乐音源的开发，结合了维京史诗的风格受到欢迎。
这次他们又带来了一个全新音源，北欧 Tagelharpa 弦乐和史诗级的萨满打击乐音色库：EDDA！
EDDA is a library of Nordic tagelharpa strings and epic shamanic percussion that authentically captures the raw, organic atmosphere of Nordic musical traditions.
It’s perfect for cinematic folk and viking-style pagan music,
but works perfectly in any genre – adding a sense of natural imperfection and raw emotion to your mix.
EDDA 是一个北欧 Tagelharpa 弦乐和史诗般的萨满打击乐音色库，真实地捕捉了北欧音乐传统中原始、有机的氛围。
它完美适用于影视民谣与维京风格音乐，
但同样适配任何音乐类型，为你的混音增添自然的瑕疵与原始情感
It can be used in Kontakt Player or the full retail version of Kontakt.
It requires online registration through the Native Instruments Native Access system.
This library is also fully compatible with Komplete Kontrol and all NKS Standard hardware and software by Native Instruments.
该产品可在 Kontakt Player 或完整零售版 Kontakt 中使用。
该产品需要通过 Native Instruments Native Access 系统进行在线注册。
该产品与 Komplete Kontrol 和 Native Instruments 的所有 NKS Standard 硬件和软件完全兼容。
Fully playable
The main instruments in EDDA are fully playable without the use of pre-recorded phrases, which gives a wide range of performance possibilities.
We sampled every note and every possible transition, even dissonant note combinations, almost any melody and harmony can be played.
极高的可演奏性
EDDA 中的主要乐器均可完全演奏，无需使用预先录制的乐句，这为演奏提供了广泛的可能性。
我们采样了每个音符及全部可能会有的过渡音，包括不和谐音组合，几乎可演奏任何旋律与和声。
Sequencer
We built a brand new sequencer with advanced features and MIDI drag-and-drop functionality to DAW or computer.
Sequencer has a 5 patterns. Users can load and edit preset sequences, or create their own from scratch and save it.
音序器
我们制作了一个全新的音序器，具有先进的功能和 MIDI 拖放功能，可用于 DAW 或电脑。
音序器有 5 种节奏型。用户可以加载和编辑预设音序，或从头开始创建自己的音序并保存。
Mic settings
Edda offers flexible microphone settings to sculpt and shape the sound.
With a range of presets and individual controls for each microphone’s volume, panorama, and stereo image, the sound can be balanced to fits any mix.
麦克风设置
EDDA 提供灵活的麦克风设置，可对声音进行雕琢和塑造。
通过一系列预设和对每个麦克风的音量、全景和立体声图像的单独控制，可以平衡声音以适应任何混音。
Burdons & Doubletrack
The Big Tagelharpa has two microphones, with separate controls for the melodic and burdon strings.
The burdon strings can also be pitched down, making it a powerful tool for sound design.
Doubletrack can be applied to either the microphones or the strings.
Burdons & Doubletrack
The Big Tagelharpa 配备双麦克风，可分别控制旋律弦与低音弦。
低音弦可降调处理，成为强大的声音设计工具。
Doubletrack 功能可应用于麦克风或琴弦。
Legato
EDDA offers several types of legato: Rebow Legato, Portamento, Fast, and Trill.
Instant Legato ensures that legato is triggered immediately on note changes, without waiting for the next rhythmic step.
Restart Seq immediately resets the sequence on a note change and starts the sequence from the beginning.
If both Instant Legato and Restart Seq are turned off, the engine will allow the current step to finish before switching to legato.
Legato
EDDA 提供多种连奏类型：Rebow Legato、Portamento、Fast 和 Trill。
Instant Legato 确保音符切换时立即触发连奏，无需等待下一节奏步进。
Restart Seq 在音符切换时立即重置序列并从开头重新开始。
若同时关闭 Instant Legato 和 Restart Seq 引擎将在当前步进完成后切换至连奏。
Phrases
We have included many ready-to-use phrases to speed up the workflow.
They are all sorted by tagelharpa type and bpm.
短语
我们收录了许多随时可用的短语，加快工作流程。
所有短语均按标记类型和 bpm 排序。
Presets
Preset window with Factory and User presets.
I In EDDA we used various complex sampling approaches to accurately capture all aspects of the tagelharpa,
like performance sampling and rebow and attack morphing techniques to achieve highly realistic performance and smooth legato transitions.
Special attention was given to maintaining a natural dynamic balance,
between different bowing repetitions without over-compression, especially to blend the natural variations in bowing repetitions and dynamics.
在 EDDA 中我们采用多种复杂采样技术，精确捕捉 Tagelharpa 的演奏细节，
包括演奏采样，换弓与启动渐变技术，实现高度真实的演奏表现与流畅连奏过渡。
特别注重保持不同运弓重复间的自然动态平衡，
避免过度压缩，尤其注重融合运弓重复与力度的自然变化。
Noise Reduction
Noise reduction is minimal for sustain and attack samples.
Noise reduction is moderate for release samples.
Of course, clicks, pops, and rare breath sounds have been completely removed.
But musical noise and small artifacts are left untouched.
These small artifacts are a direct result of the performance sampling approach and subjectively sound more natural.
But we understand that it’s important to keep the balance and make sure they’re not repetitive and too noisy.
降噪处理
延音与启动采样仅进行轻微降噪。
尾音采样采用中度降噪。
当然所有爆音杂音及罕见呼吸声已完全消除。
但保留音乐性噪音与细微采样痕迹。
这些细微痕迹源自演奏采样技术，主观听感更显自然。
我们明白需保持平衡确保其不重复出现且不会过度嘈杂。
Stretching and pitching
Aggressive stretching and pitching can be (!!) very destructive to the tagelharpa.
Keep this in mind when aggressively editing the instrument.
When using phrases, try to find and use the phrases that are closest to the original bpm.
If the phrases are beat machine based, then the phrases are not stretched and this point is not important.
Remember that you can always double the speed up or down. So, x2 75 equals 150.
拉伸与移调
过度的拉伸与移调可能会严重破坏 Tagelharpa 音色。
进行 Aggressive 编辑时请谨记这一点。
使用乐句时，尽量选择最接近原始 BPM 的乐句。
若乐句基于节拍器生成，则无需拉伸。
记住始终可通过倍速调节，例如 x2 75 即等于 150。
Sampling strings in groups
After much experimentation, we have found that sampling the strings in groups rather than individually produces the most natural and authentic sound.
Due to the inherent tuning instability and subtle tuning fluctuations of the tagelharpa,
recording the strings individually would have required extensive phase alignment and autotuning, resulting in audio artifacts and huge phase issues.
But (!!) on the second, large tagelharpa, we were able to sample the burdons and melodic strings separately without any phase issues.
This allows you to control, bypass or adjust the tuning of the burdon strings.
分组采样琴弦
经过大量实验，我们发现分组采样琴弦比单独采样能产生最自然真实的声音。
由于 Tagelharpa 固有的音准不稳定性与微妙音高波动，
单独录制琴弦将需要大量相位对齐与自动调音，导致音频伪影与严重相位问题。
但在第二把大型 Tagelharpa 上，我们能够单独采样低音弦与旋律弦而不会产生任何相位问题。
这使你可以控制旁路或调整低音弦的音高。
Tuning
The tagelharpa by it’s nature is limited in tuning, and the range and number of possible tunings is limited.
In the standard DAD tuning it is of course possible to play in other tunings,
but it’s most comfortable to play in D minor and D major (quint-quart).
If your song is in, let’s say, C major, you can still play in D tuning (it works well in most keys),
or pitch down the instrument and make it CGC (two semitone tuning sounds very good in most cases).
This makes the Tagelharpa perfectly tuned for C minor and C major.
Do not forget that in EDDA there is not only the quint-quart tuning.
You can tune the tagelharpa in DGD and the sound will be more traditional.
调音
Tagelharpa 在调音方面存在天然限制，其可调范围和调音方式有限。
采用标准 DAD 调音时，可以演奏其他调式，
但最舒适的演奏调式为 D 小调与 D 大调(五度四度)。
若你的歌曲是 C 大调，仍可使用 D 调演奏(在大多数调式中表现良好)，
或降调至 CGC(两个半音调音在多数情况下效果出色)。
这使得 Tagelharpa 完美适配 C 小调与 C 大调。
请记住 EDDA 不仅提供五度四度调音。
你也可将 Tagelharpa 调至 DGD 音色会更传统。
Features
4 Legato Types
Multiple Round Robins
Multiple dynamic layers
Multiple microphone settings
WAV phrases included
Advanced rhythm sequencer
24-bit / 48 kHz lossless NCW format
Snapshots
特点
4 种连奏类型
多重采样循环
多动态层
多麦克风设置
包含 WAV 乐句
高级节奏音序器
24 位/48kHz 无损 NCW 格式
预设快照
Requirements
Works with Free Kontakt Player
NI Kontakt 8.1.0 +
10.9 GB of hard drive space (15.1 GB of original sample material)
Compatible with hardware by Native Instruments
系统要求
支持免费的 Kontakt Player
需 NI Kontakt 8.1.0 或更高版本
占用 10.9 GB 硬盘空间（原始采样素材 15.1 GB）
兼容 Native Instruments 硬件设备
官方网站：
https://wavelet-audio.com/edda/
产品价格：
官网原价 139 美元，首发促销 119 美元。
中国区的用户请在总代理飞来音电脑音乐技术购买。
