Musical Sampling 发布小号独奏音源 Sasaki Trumpet

小号连奏的音源奇迹！

Atelier Series Sasaki Trumpet is a legato trumpet library performed by session musician and educator, Mikio (Miki) Sasaki.

Recorded at Orb Studios in Austin, Texas – the goal was to create a responsive/snappy instrument full of energy, vibe and utility.
One decision we made to help facilitate this goal was to record all of the material in a dry studio space.
This way you have the option to really customize the sound before hitting it with your favorite reverb.

Part of the character of a trumpet performance is attributed to the style and quality of vibrato.
We asked Miki to perform vibrato that could suit a variety of energetic contexts appropriately for each setup.
We also recorded the legato in an “impulsive” fashion to capture transitions that are more contextually-relevant; suited for energetic lines with real movement.

Wind instruments (certainly brass) tend to share changes in intonation depending on dynamics, range and difficulty of a passage.
We’ve provided two variations of each patch to give composers the option to include performances with their natural, internal tuning intact.

Lastly, we also recorded a wonderfully-emotive flugelhorn
with an entirely different legato performance style and vibrato;
suited for emotional and cinematic contexts.
A real beaut’.

Atelier Series Sasaki Trumpet 是由录音师兼教育家 Mikio (Miki) Sasaki 演奏的 legato 小号音色库。

这套音源在德克萨斯州奥斯汀的 Orb 录音室录制 - 目标是创造一个充满能量、活力和实用性的反应性/爽快的乐器。
为了帮助实现这一目标，我们做出的一个决定是在一个干燥的工作室空间里录制所有的材料。
这样，你就可以在使用你最喜欢的混响之前，选择真正的自定义声音。

小号表演的部分特点归功于揉弦的风格和质量。
我们要求Miki在每一个设置中适当地执行可以适合各种精力充沛的背景的颤音。
我们还以 "冲动 "的方式记录了揉弦，以捕捉与背景更相关的过渡；适合于具有真正运动的精力充沛的线条。

管乐器（当然是铜管乐器）倾向于根据动态、范围和段落的难度来分享音调的变化。
我们为每个音色提供了两种变化，让作曲家可以选择在自然、内部调音的情况下进行演奏。

最后，我们还录制了一个美妙的情绪化的低音号，
具有完全不同的连音表演风格和颤音；
适合于情绪化和电影化的背景。
这实在是太美妙了。

PRO TIP
The “Natural” patch variations are great for solos that don’t share the same register as the accompaniment.
The “Tuned” variation works well when doubling a melody line with other instruments in the same register.
Definitely explore both options!

While we like the adjustable reverb chosen for this library, we would suggest turning it off
and putting the trumpet through your favorite reverb plugin to give it a sense of presence/space that suits your track.
For most of the demo tracks (save for the flugel), a small ambient room verb was mixed at around 30%.
It really does come alive doing this.

To add extra realism and spice to your trumpet tracks,
try riding the pitch wheel slightly upwards quickly during more “difficult” passages
to imitate sharp pitch corrections.

专业提示
“自然”音色的变化非常适合于与伴奏不在同一音域的独奏。
当与其他乐器在同一音域内进行旋律线的翻唱时，"调音 "的变化效果会非常好。
一定要探索这两个选项!

虽然我们喜欢这个音色库所选择的可调混响，但我们建议把它关掉，
把小号通过你最喜欢的混响插件来给它一种适合你的音轨的存在/空间感。
对于大多数的演示曲目（除了低音号），在30%左右混合了一个小的环境室动词。
这样为音色带来了许多的活力。

为了给你的小号音轨增加额外的真实感和趣味性，
可以尝试在比较 "困难 "的段落中，
快速地将音高轮略微向上滑动，
以模仿尖锐的音高校正。

Mikio Sasaki，trumpet player, is a freelance musician based in central Texas and Instructor of Trumpet at Texas Lutheran University.
He was previously a member of the venerable Saint Louis Brass
and based in New York City as a freelance musician and Adjunct Lecturer and Brass Ensemble Director at Brooklyn College.

He maintains an active performing schedule in addition to his activities as an accomplished arranger and a dedicated music educator.
Hailing from a family of classical, jazz, and bluegrass musicians, Mikio is a flexible performer with the ability to switch seamlessly between styles, classical, jazz, and beyond.
He has enjoyed international and national performances with a wide variety of groups and festivals, including Saint Louis Brass Quintet, yMusic,
Chamber Music Northwest, Paragon Ragtime Orchestra, American Pops Orchestra, San Antonio Symphony, Richmond Symphony, Broadway’s Matilda, and as a soloist with the Austin Symphony.
As a teaching artist, Mikio inspires students elementary to collegiate in their journey to musical fulfillment.
He has worked with numerous teaching artist programs around New York, including the Music Advancement Program, Little Orchestra Society, Usdan Summer Camp for the Arts, and Juilliard Precollege.
His recent appointments at Texas Lutheran University and Brooklyn College offered the opportunity
to further his educational mission at the collegiate level,
inspiring musicality and creativity in future generations.
Mikio is a doctoral candidate at The University of Texas at Austin, expecting to earn his Doctorate of Musical Arts in Spring of 2022.
He earned his previous degrees at the Yale University School of Music (MM ’15) and the Juilliard School (BM ’13),
studying under teachers Allan Dean, Mark Gould, Raymond Mase, and Ray Sasaki.

Mikio Sasaki，小号手，是德克萨斯州中部的自由音乐家和德克萨斯路德大学小号讲师。
他之前是著名的圣路易斯铜管乐队的成员，
并在纽约市担任自由音乐家和布鲁克林学院的兼职讲师和铜管乐团总监。
除了作为一名出色的编曲家和敬业的音乐教育家的活动之外，他还保持着积极的表演时间表。

Mikio 出身于古典、爵士和蓝草音乐家的家庭，是一位灵活的表演者，能够在古典、爵士和其他风格之间无缝切换。
他曾在各种团体和节日中享受国际和国内演出，包括圣路易斯铜管五重奏、yMusic、西北室内乐、Paragon Ragtime Orchestra、
美国流行乐团、圣安东尼奥交响乐团、里士满交响乐团、百老汇的玛蒂尔达，并作为独奏家与奥斯汀交响乐团。

作为一名教学艺术家，Mikio 鼓励小学学生在他们的音乐成就之旅中上大学。
他曾与纽约各地的众多教学艺术家计划合作，包括音乐进步计划、小管弦乐队协会、乌斯丹艺术夏令营和茱莉亚预科。
他最近在得克萨斯路德大学和布鲁克林学院任职，
为他在大学层面进一步推进教育使命提供了机会，
激发了后代的音乐性和创造力。

Mikio 是德克萨斯大学奥斯汀分校的博士研究生，预计在 2022 年春季获得音乐艺术博士学位。
他之前在耶鲁大学音乐学院 (MM '15) 和茱莉亚音乐学院 (BM ') 获得学位13），
师从Allan Dean、Mark Gould、Raymond Mase和Ray Sasaki老师。

Patches：
Workhorse
Emotional Flugel
Cup Mute
Harmon No Stem
Harmon Stem In
Playable Runs

音色组：
主音
情绪化的低音号
静音杯
合声不分层
合声分层
连奏

Features：
Legato trumpet & flugelhorn
Performed with natural, progressive vibrato
Includes three different mutes
“Natural” and “Tuned” patch variations
Recorded dry for mixing flexibility
Adjustable reverb of custom hall impulse

特征：
小号和低音号
小号和低音号的连贯性
以自然、渐进的颤音进行演奏
包括三种不同的哑音
"自然 "和 "调音 "音色变化
干录音，可灵活混音
可调节的自定义大厅脉冲的混响

首发优惠价：69美元（原价：99美元）
官方网址：https://musicalsampling.com/sasaki-trumpet/

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