Synchron Percussion I
【头图】
Absolutely Striking
This all-new Collection of orchestral percussion instruments ushers in a new era for Vienna Symphonic Library.
Synchron Percussion I was recorded at Stage A, the main hall,
of Vienna’s newly revitalized Synchron Stage Vienna.
绝对震撼
这套全新的管弦打击乐器合集开创了维也纳交响乐的新纪元。
Synchron Percussion I 是在 Synchron Stage Vienna 的主厅 A 舞台录制的,
位于维也纳最近焕然一新的同步舞台。
Captured in every nuanced detail with an expansive, phase-controlled multi-microphone set-up,
it delivers to your studio all the character and vibe of the world’s finest percussion instruments,
masterfully played in one of the best-sounding scoring stages in the world.
通过扩展的相位控制多麦克风设置,捕捉每个细微的细节,
为录音棚带来世界上最好的打击乐器的所有特性和氛围,
因为它是世界上声音最好的配乐舞台之一。
16 Instruments
Synchron Percussion I includes 16 essential orchestral percussion instruments
that are owned by Synchron Stage Vienna
and permanently housed in climate-controlled rooms in the building’s basement.
All of the leading prestigious manufacturers are represented in this premium selection of instruments,
including Adams, Bergerault, Kolberg, Lefima, Meinl, Yamaha, and Zildjian.
16 种乐器
Synchron 打击乐 I 包括 16 种重要的管弦乐打击乐器,
由维也纳同步舞台都有,
并长期存放在大楼地下室的恒温室中。
所有著名的生产商都在这些乐器中占有一席之地,
包括 Adams、Bergerault、Kolberg、Lefima、Meinl、Yamaha 和 Zildjian。
Sound List
5 Timpani (Adams; C2–C#4)
Bass Drum (Kolberg “Dicke Bertha” 36"x28")
Snare Drum (Kolberg “Piano-Forte” Rosewood 14"x 6,5")
8 Concert Toms (Yamaha CT-9000 series; 6"/8"/10"/12"–16")
Xylophone (Adams Artist Alpha; C4–C8)
Glockenspiel (Yamaha 2500; C5–E8)
Celesta (Kolberg; C3–F8)
Suspended Cymbals (Zildjian, 16" & 18")
Piatti (Zildjian 20"; Meinl 22")
2 Tam-Tams (Wuhan; 100cm and 120cm)
Tubular Bells (Bergerault Symphonic; F3–F5)
Tambourines (2 pc.: Lefima 2091-A, Kolberg 2030 DW)
Triangles (7 sizes)
Woodblocks (5 pc.)
Castanets (2 pairs)
Shakers (2 pc.)
乐器列表
5 Timpani (Adams; C2–C#4)
Bass Drum (Kolberg “Dicke Bertha” 36"x28")
Snare Drum (Kolberg “Piano-Forte” Rosewood 14"x 6,5")
8 Concert Toms (Yamaha CT-9000 series; 6"/8"/10"/12"–16")
Xylophone (Adams Artist Alpha; C4–C8)
Glockenspiel (Yamaha 2500; C5–E8)
Celesta (Kolberg; C3–F8)
Suspended Cymbals (Zildjian, 16" & 18")
Piatti (Zildjian 20"; Meinl 22")
2 Tam-Tams (Wuhan; 100cm and 120cm)
Tubular Bells (Bergerault Symphonic; F3–F5)
Tambourines (2 pc.: Lefima 2091-A, Kolberg 2030 DW)
Triangles (7 sizes)
Woodblocks (5 pc.)
Castanets (2 pairs)
Shakers (2 pc.)
Vienna Synchron Player
Synchron Percussion I works with our Vienna Synchron Player,
a dedicated sample player with a brand new engine built from the ground up.
The powerful player delivers unprecedented streaming performance,
with hundreds of voices streaming simultaneously –
an important feature for handling Synchron Percussion’s many microphone positions.
The integrated mixer comes with an extensive effects rack and provides a host of presets,
covering the entire range from natural uncompressed recordings to powerful strokes and epic impacts!
维也纳同步播放器
Synchron Percussion I 与 Vienna Synchron Player 配合使用,
这是一款专用采样播放器,采用全新引擎,从头开始打造。
这款功能强大的播放器可提供前所未有的性能,
可同时串流数百个声音,
这是处理 Synchron Percussion 多个麦克风位置的重要功能。
集成的混音器带有大量效果器,并提供大量预置,
从自然的无压缩录音到强劲的打击乐和史诗般的冲击力,全部涵盖!
12 Microphones
Every instrument was recorded using 12 microphones.
You may select from four microphone positions (Standard Library)
or seven different microphone positions (Full Library)
and mix them to your liking, directly in the Vienna Synchron Player.
Use the included and perfectly fine-tuned presets as a starting point for your own mixes.
The natural volume envelopes and the sonic character of the instruments
remained untouched during recording and editing.
The performances in Stage A were captured in stereo using a Decca tree,
and additional microphone arrays were utilized for 5.1 surround and Auro 3D 9.1.
12 个麦克风
每种乐器都是使用 12 个麦克风录制的。
可以选择四个麦克风位置(标准库),
或七个不同的麦克风位置(完整库),
并直接在维也纳同步播放器中按自己的喜好进行混音。
你还可以使用附带的完美微调的预置作为自己混音的起点。
乐器有自然音量包络和音质特征,
在录音和编辑过程中很好地维持了下来。
A 舞台的演出使用 Decca 树进行立体声采集,
另外还使用了额外的麦克风阵列,用于 5.1 环绕声和 Auro 3D 9.1。
Close Mic – Mono
Mid Layer Mic – Stereo (L/R)
Main/Room Mic – Decca Tree Stereo (L/R)
Main/Room Mic – Decca Tree Mono (Center)
Main Surround – Stereo (L/R)(Full)
High Stereo (3D) – Stereo (L/R)(Full)
High Surround (3D) – Stereo (L/R)(Full)
Close Mic – Mono
Mid Layer Mic – Stereo (L/R)
Main/Room Mic – Decca Tree Stereo (L/R)
Main/Room Mic – Decca Tree Mono (Center)
Main Surround – Stereo (L/R)(完整版)
High Stereo (3D) – Stereo (L/R)(完整版)
High Surround (3D) – Stereo (L/R)(完整版)
Immersive Sound and Auro 3D
Auro 3D is an immersive audio technology that allows for three-dimensional sound perception.
The Belgian company Auro Technologies developed this technology based on a special speaker configuration,
adding four additional speakers to a 5.1 surround configuration.
These speakers (so-called “Heights”) are situated above the front and surround speakers
and generate acoustic reflections that are perceived naturally
due to the fact that sounds originate from around as well as from above the listener.
Thanks to the comprehensive selection of discrete audio channels of Synchron Percussion I (Full Library)
you may mix your instruments in Auro 3D as well as in Dolby Atmos.
身临其境的声音和 Auro 3D
Auro 3D 是一种沉浸式音频技术,可实现三维声音感知。
比利时公司 Auro Technologies 基于一种特殊的扬声器配置开发了这项技术,
在 5.1 环绕声配置的基础上增加了四个扬声器。
这些扬声器位于前置和环绕扬声器的上方,
并产生自然感知的声反射,
因为声音既来自听者的周围,也来自听者的上方。
得益于 Synchron Percussion I(完整库)提供的全面的离散音频通道选择,
可以在 Auro 3D 和 Dolby Atmos 中混合你的乐器。
128 Variations per Hit
A tremendous amount of time and effort was spent in order to record all 16 percussion instruments.
This tour de force was only possible because all of the instruments,
as well as the Synchron Stage Vienna itself,
were owned by the Vienna Symphonic Library company.
The results are truly impressive.
Synchron Percussion I over-delivers with its huge dynamic range and liveliness.
With up to 16 velocities and up to 8 variations of each hit,
and open, secco (stopped release) and coperto (damped) articulations,
there are a staggering 128 variations of each single hit!
Additionally we’ve utilized several types of mallets, sticks, rods, brushes, hammers, and more
to achieve a comprehensive library of transients and timbres.
每声有 128 种变化
为了录制全部 16 种打击乐器,花费了大量的时间和精力。
之所以能完成这项艰巨的任务,是因为所有的乐器,
以及 Synchron Stage Vienna 本身,
都归维也纳交响乐公司所有。
结果确实令人印象深刻。
Synchron 打击乐 I 具有巨大的动态范围和活力。
每个打击力度多达 16 种,变化多达 8 种,
以及开放、secco(停止释放)和 coperto(阻尼)发音,
每一个击键都有惊人的 128 种变化!
此外,还使用了多种类型的木槌、木棒、木杆、刷子、锤子等等,
实现全面的瞬态和音色库。
100 hours alone was spent on capturing all the subtle nuances of the five timpani.
Since each timpani drum was sampled over its complete playing range,
any given pitch may now be reproduced by up to three different instruments.
As a result of our exclusive, brand-new release sample technology,
crescendo and diminuendo rolls that are available in various lengths
and intensities can be stopped at any time with the matching release sample being triggered.
Glissandos are provided up to a major sixth in three speeds,
and the innovative “Performance Interval Rolls” enable unlimited legato playing of up to a fifth interval.
仅捕捉五只定音鼓的所有细微差别就花费了 100 个小时。
由于每个定音鼓都在其完整的演奏范围内采样,
现在,任何给定的音高都可以由多达三种不同的乐器重现。
由于采用了独有的全新释放采样技术,
不同长度和强度的渐强和渐弱滚奏,
在触发相应的释放采样后,可以随时停止。
滑音以三种速度提供,最高可达大六度,
创新的演奏音程滚奏可以无限制地进行五度音程的连音演奏。
The celesta was played using a sampling robot,
which captured the subtlety of this beautiful instrument with 36 meticulously sampled velocity layers.
使用采样机器人演奏钢片琴,
通过 36 个精心采样的力度层,捕捉到了这种美妙乐器的细微之处。
Extensive Resources for Sound Design
For almost all of the instruments,
we recorded special FX sounds that lend themselves well to creating all-new, organic soundscapes.
For example, we stroked a rubber “superball” against the head of the bass drum,
and treated the rims of the concert toms with rasping sticks.
The glockenspiel, xylophone and the tamtams were played with a double bass bow,
as another of many examples.
The results are unique sounds that will entice you to experiment
and will serve as a source of inspiration for your compositions.
丰富的声音设计资源
对于几乎所有乐器,
都录制了特殊的声音,这些声音非常适合创造全新的有机音效。
例如,我们用橡胶超级球敲击低音鼓的鼓头,
并用嘎吱嘎吱的鼓棒敲击圆号鼓的边缘。
还用低音提琴弓演奏格洛肯琴、木琴和塔姆琴,
当然,这只这是另一个例子。
这些独特的声音会吸引你去尝试,
并将成为你的创作灵感源泉。
The Recording Stage as an Instrument
Synchron Stage Vienna, located on the “Wiener Rosenhügel”,
is large enough to accommodate a 130 piece orchestra and has proven to be a remarkable space,
not only for film music recordings, but also for sampling sessions.
During the 1960s, eminent classical artists such as Karl Böhm, Herbert von Karajan,
Yehudi Menuhin, Sviatoslav Richter and Mstislav Rostropovich
loved to use the outstanding acoustics of this former “Synchronhalle”
for their now-legendary recordings.
作为乐器的录音舞台
Synchron Stage Vienna 位于 Wiener Rosenhügel,
大到足以容纳 130 人的管弦乐队,已被证明是一个非凡的空间,
不仅是录制电影音乐的理想场所,也是采样录音的理想场所。
20 世纪 60 年代,Karl Böhm、Herbert von Karajan、
Yehudi Menuhin等著名古典艺术家,
都喜欢利用这座前同步大厅出色的音响效果,
创造出了一系列传唱至今的录音作品。
The colossal room-in-room construction, built upon a massive concrete foundation,
combined with sound insulation and a specially designed air conditioning system,
results in a ridiculously low noise-floor of 16 dBA, even with the air conditioner running!
巨大的房中房结构建立在巨大的混凝土基础之上,
结合隔音材料和专门设计的空调系统,
即使在空调运行的情况下,噪音也低至 16 分贝!
The main Stage A features a reverb time of 1.6 to 1.8 seconds,
and in contrast to other scoring stages, there is no masking effect on the low frequencies.
All instruments sound punchy and warm, while at the same time providing excellent localization,
both in depth and in the stereo panorama.
Especially at low and medium levels, the room itself becomes a marvelous instrument.
Its high energy level on the very low frequencies was harnessed beautifully for the bass drum,
which was recorded at its normal tuning,
then loosened to capture thunderous lows that reverberated though the hall.
But be mindful of the volume –
these ultra low frequencies may damage your speakers if the volume is set too high!
主舞台 A 的混响时间为 1.6 至 1.8 秒,
与其他配乐相比,低频没有任何掩蔽效果。
所有乐器的声音都充满冲击力和温暖感,同时还能提供出色的定位效果,
以及深度和立体声全景。
特别是在低频和中频时,房间本身就成了一件了不起的乐器。
它在极低频上的高能量被低音鼓完美地利用,
低音鼓是以正常调音录制的,以捕捉在大厅中回荡的雷鸣般的低音。
但要注意音量,
如果音量设置过高,这些超低频可能会损坏扬声器!
Perfect Climatic Conditions
Synchron Stage Vienna is equipped with a sophisticated system for heating,
ventilation and air-conditioning (HVAC) that provides absolutely consistent air quality (humidity and temperature)
between the large Stage A and the percussion storage room.
So every instrument is in pristine condition for performance,
day and night, session after session.
完美的气候条件
Synchron Stage Vienna 配备了先进的供暖、通风和空调系统(HVAC),
提供绝对稳定的空气质量(湿度和温度),
在大型舞台 A 和打击乐储藏室之间维持一致。
因此,每件乐器都能以最原始的状态投入演出,
日夜不停,场场不落。
Feature Summary
16 Essential orchestral percussion instruments from the Synchron Stage Vienna collection
Recorded at the 540 m2 (5,813 sq.ft.) Stage A of Synchron Stage Vienna
More than 475,000 Samples (Full Library)
427 GB of installed sample data
Extensive recording time – up to 100 hours per instrument group
Pristine sound with 1.6 through 1.8 sec. natural reverb time
All instruments captured with 12 microphones (Full Library) or 6 microphones (Standard Library)
3D Sound (Full Library) – mix in stereo, 5.1 surround, Auro 3D or Dolby Atmos
Up to 128 samples per pitch and per hit
Unique release sample technology for crescendo and diminuendo rolls
New: Performance Interval Rolls – play true legato (roll) lines up to a fifth interval on the timpani
Extra low tunings on the bass drum – for highly energetic low frequency recordings
Many FX articulations – a source of inspiration for all-new sound combinations
Free Vienna Ensemble mixing host and Vienna Synchron Player included
Includes presets of well-balanced microphone setups for Vienna Synchron Player
产品功能
来自 Synchron Stage Vienna 系列的 16 件基本管弦打击乐器
在 Synchron Stage Vienna 540 平方米(5,813 平方英尺)的 A 舞台录制
超过 475000 个采样(完整版)
427 GB 已安装采样数据
大量录音时间,每组乐器长达 100 小时
具有 1.6 至 1.8 秒自然混响时间的纯净声音
所有乐器均由 12 个麦克风(完整库)或 6 个麦克风(标准库)采集
3D 声音(全库)——以立体声、5.1 环绕声、Auro 3D 或 Dolby Atmos 混音
每个音高和每次打击最多可采样 128 个采样
独特的释放采样技术,可实现渐强和渐弱滚奏
演奏音程滚奏,在定音鼓上演奏五度音程以内的真正连奏(滚奏)
低音鼓的超低调音,用于高能量低频录音
多种特效衔接,全新声音组合的灵感源泉
包含免费的 Vienna Ensemble 混音宿主和 Vienna Synchron 播放器
包括用于维也纳同步播放器的均衡麦克风设置预置
System Requirements
Minimum:
Windows 10 (latest update, 64-bit), Intel Core i5 or AMD Athlon 64 X2
macOS 10.14 Mojave (latest update), Intel Core i5
SSD (M2, SATA 6 or USB3/3.1, UASP Support - HFS+, APFS or NTFS formatted)
16 GB RAM
iLok Account and iLok License Manager for license activation
on a physical iLok 2/iLok 3 key or in an iLok Cloud Session
(the iLok Cloud requires a constant internet connection!)
Free storage space for the Standard Library: 169.3 GB
Free storage space for the Full Library: 406.2 GB
Recommended:
Windows 11 (latest update), Intel Core i7/i9/Xeon
macOS 13 Ventura (or higher), Intel Core i7/i9/Xeon/M1/M2
32 GB RAM
AU/VST/VST3/AAX Native compatible host
88 key master keyboard
系统要求
最低配置
Windows 10(最新更新,64 位),英特尔酷睿 i5 或 AMD Athlon 64 X2
macOS 10.14 Mojave(最新更新),英特尔酷睿 i5 处理器
固态硬盘(M2、SATA 6 或 USB3/3.1,支持 UASP - HFS+、APFS 或 NTFS 格式)
16 GB 内存
用于激活许可证的 iLok 账户和 iLok 许可证管理器
在实体 iLok 2/iLok 3 密钥上或在 iLok 云会话中进行激活
(iLok 云需要持续的互联网连接!)。
标准库的可用存储空间:169.3 GB
完整资料库的可用存储空间:406.2 GB
建议使用
Windows 11(最新更新),英特尔酷睿 i7/i9/Xeon
macOS 13 Ventura(或更高版本),英特尔酷睿 i7/i9/Xeon/M1/M2
32 GB 内存
兼容 AU/VST/VST3/AAX Native 的宿主
88 键键盘
官方网站:
https://www.vsl.co.at/en/Synchron_Percussion_Bundle/Synchron_Percussion_I
产品价格:
正常价格标准版 465 欧元,完整版 840 欧元,在 x 月 x 日前首发促销 欧元,
中国区的用户请到总代理飞来音电脑音乐技术购买。
飞来音电脑音乐技术官方淘宝店: