促销资讯

EVOLVING SOUNDSCAPES BUILDER
SANDSTORM is a massive soundscape and atmosphere creator that produces huge and evolving ambients and textures by stacking up to 17 high-quality layers of sound.​

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From Orchestral Instruments to Analog Synths, Granular and Wavetable modules, SANDSTORM can create impressive textures and ambients in seconds.​

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从管弦乐器到模拟合成器、粒子合成器与波表模块，SANDSTORM 可以在几秒钟内渲染令人印象深刻的氛围和环境。

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SOUND HUGE IN A SECOND
SANDSTORM can create unique multi source sounds that will allow you to rapidly try many variations and ideas for a movie passage or game scene.​

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For many people who grew up playing video games,
their first experience really listening and taking pleasure in harp music
may have been from the Legend of Zelda games,
where the Celtic harp played a prominent role in Koji Kondo’s soundtracks.​

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The Legend of Zelda games are now considered as having been one of the biggest influences on game music,
setting the sound for fantasy soundtracks across the board.
From A Link to the Past and Ocarina of Time to the latest Breath of the Wild,
Kondo’s, and later Eric Bucholz’s, scores served to not only advance the in-game playing experience,
but also to define the fantasy soundtrack genre itself.​

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Electromechanical Plate Reverb
Five classic plate reverb models. Infinite possibilities.​

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SuperPlate brings the unique tonal character of five classic electromechanical plate reverbs into your studio.
without the massive investment and back-breaking weight of the originals.
Its advanced algorithms capture a level of unmatched realism and versatility and create luscious, expansive effects.​

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At the core of SuperPlate are meticulous models of the EMT 140, EMT 240, Audicon, Stocktronics RX4000, and EcoPlate III reverb units.
Its three different flavors of analog coloration – Tube, Solid-State and Clean – can be used in combination with any of...​

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There are now 3 general modes to select from:​

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CREATE mode: this is Melody Sauce’s current standard operation
- create melodies or play the melodies you have created inside the plugin.
Melodies will play via the internal midi-generation engine using the plugin’s sounds.​

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DAW MIDI mode: this new mode allows Melody Sauce 2 to play incoming midi from your DAW,
so any midi placed on the same track as Melody Sauce 2 will be played by the plugin’s sounds.
This means you can drag midi melodies from the plugin to your DAW and Melody Sauce 2 will play these directly from the DAW.
This also allows you to use...​

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更新啦！更新啦！
音频行业大牌Eventide为5款插件进行了全面升级，
这5款插件终于迎来高清和现代化的界面，看上去更有使用欲望！
这5款插件分别是：UltraChannel、EChannel、Precision Time Align、EQ45、EQ65。

甩卖啦！甩卖啦！
其中，EChannel、EQ45和EQ65原本不能单买且只能通过全家桶购买才能使用。
现在，Eventide 将他们全部放出来单卖了！而且！现在即刻骨折！！！

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- 全新的 UltraChannel -​

Eventide UltraChannel是一个完整的通道条插件，虽然看上去界面非常数字，
但它完全可以说是一个经典硬件Eventide H8000的建模插件，算法来自于此。
包括 Eventide 传奇效果的几个功能丰富的版本，所有这些都在一个插件中。
无论是混音还是母带制作，无论风格如何，UltraChannel 都是完成混音的终极工具。
它不仅具有行业基准性能，并带有Eventide独有的 FlexiPath 路由功能，
它可以根据所需的工作流程选择处理，因此也是最通用的通道条。

购买地址：
https://item.taobao.com/item.htm?id=717754776024

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Distortion is one of the most powerful tools in an engineer’s toolbox.
When used subtly, it can enhance even the cleanest acoustic instruments.
When used with a heavy hand, it can increase aggression and loudness.
But like all powerful tools, if you use it wrong, it can have disastrous consequences.​

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Big Clipper gives you the tools to hone in your distortion to give it just the right flavor of harmonics.
From a soft, warm overdrive to crushing, bitey clipping, Big Clipper does it all and lets you easily dial it in.​

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ORANGE VOCODER IV: Vocoding, zynaptified.
Combining the most comprehensive and best-sounding set of vocoding algorithms available today with laser-like pitch control effects,
a powerful synthesizer, audio freezing, a super fun and efficient workflow, and tons more,
ORANGE VOCODER IV is - quite simply - the ultimate vocoder plug-in.​

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ORANGE VOCODER IV：声音编码，经由 Zynaptified 出品。
ORANGE VOCODER IV 将目前最全面、最好听的声码算法与激光般精确的音高控制效果，
强大的合成器、音频冻结、以及一个非常有趣且高效的工作流程等诸多功能相结合，
很明显，ORANGE VOCODER IV 是目前最出色的声码器插件。

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When it comes to creating that new vocal sound, making far-out sound effects and organic* robot and creature voices,
sculpting colourfully mutated music grooves, or whatever else you can dream up: this...​

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Orrville Pipe Organ is a classic pneumatic pipe organ
with 1,224 pipes, 21 ranks, 3 divisions, 2 manuals, 18 stops and 31 registers.
It was built for the First Presbyterian Church of Orrville, Ohio in 1963 by the venerable Schantz Organ Company.​

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Orrville Pipe Organ 是一款经典的气动管风琴，
具有 1,224 根管子、21 个音列、3 个分区、2 组手挡、18 个音栓和 31 种音栓组合。
它于 1963 年由著名的 Schantz Organ Company 为俄亥俄州奥尔维尔的第一长老会教堂建造。

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With a robust and mighty sound, it's a much more elaborate and powerful instrument than you'd typically expect to find in a smaller rural church like this one,
allowing the sound to completely fill the space with an epic presence and grand tonal body.
However, that all might be explained by the fact...​

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LEGENDARY TRANSPARENCY
Pulsar 8200 is a faithful emulation of the legendary GML 8200 designed by George Massenburg*,
the inventor of the parametric EQ. Full EQ control is a formality today, but it was a dazzling novelty back in the days.​

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Just like the original machine, Pulsar 8200 gives you a tight and solid low end, a crystalline high end, and surgical control over the frequency spectrum.
He perfectly replicates the all-discrete, Class-A analog electronics that made the original machine famous in the 80s, and still used today.​

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Its parallel topology...​

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- Invigorate -​

Invigorate 是一个经过精密调整的解构压缩器、限制器和过载失真器，
可以给混音、鼓组总线或任何其他元素带来活力。
直观的设计让你可以轻松的应用压缩，限制以及丰富的失真，
并且配合具有明显效果的干湿比例来控制声音。
最终你将会听到你的混音更上一层楼，它将听起来更加洪亮和大气。

Invigorate 独特的雷达显示屏让你可以从压缩、限制、一路用到过载效果。
快速轻松地的塑造角色，将听众的注意力吸引到你的混音、总线或音轨上。
突出的 Mix 旋钮可让你完全的控制效果。
智能增益补偿算法让干湿比例更加简单明了，
将确保你不会一直通过增加增益来欺骗自己，除非你愿意。
Invigorate 不是基本的压缩曲线，而是在压缩、限制和过载领域之间架起桥梁，
和你平时情况下相比带来更多控制和更多特性的声音。
在输入、输出和侧链使用相位匹配的音色控制。
这可以实现：MOLD 决定侧链的敏感性，
EXCITE 决定动态处理器的输入信号，SCULPT 决定输出音色。...​

Nylon Rustique is an emotional legato nylon guitar library for Kontakt.
We wanted to produce an instrument that would suit delicate, emotional lines for slower/moderate-tempo contexts;
all housed in a keyswitchless patch.​

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To achieve this, we captured three legato types – each activated by velocity.
The primary range plays the plucked natural legato performances,
the high velocity range triggers the slides with no pluck samples (up to a whole-step for these) ,
and the lower velocities activate the slides with pluck articulation– the speed of which can be controlled by the modwheel.​

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