生録音のような自然さ
自然なサウンドの探求。
打ち込み臭い... を回避する為、前作『48Margin Power Girl』で好評だったマージンタイプ別サンプル方式をさらに強化しました。
各弦ごとの音量やサンプルを監視。状況に応じて適切なマージン、
音量を自動で判断してくれます。これにより過去作では対応できなかった柔軟さと自由度を獲得しました。
フォームは自由に、入力はお手軽に
フォーム登録、コード検知、コードチェンジタイプ選択、ストローク範囲・速度、マイキング設定、
さらにはポジション指定やサンプルを自由に選べるシングルモード...オプションを含めれば挙げきれない機能を数多く実装。
3つのモードを切り替えることで“自由”かつ“楽”にアコギのトラックメ
収録楽器
楽器：Taylor 110-GB(ピック弾き)
奏法：Normal / Strum / HOPO / Slide / SlideUp / SlideDown / Stop / Brush / Resonance / FletNoise / OpenNoise
※適宜ピッキングのアップダウン、マージン、ラウンドロビン、
ベロシティレイヤーを用意
マージン：NormalとStrumに付与 n/i/oの3種
ラウンドロビン：1～3...
CELEBRATE A QUARTER-CENTURY OF FUTURE-SHAPING SOUNDS
Explore and experiment with a time capsule of classic sounds from the NI vault – from GENERATOR to MASSIVE X – only available until December 31
Pair up two sound sources, then sculpt them into something new with intuitive macro mapping and a powerful FX section
Uncover 150 brand-new takes on 25 years of pads, leads, basses, and more from 37 classic instruments
CLASSIC SOUNDS, NEW TWISTS
Back in 1996, we launched GENERATOR, our first ever synthesizer – and also the precursor to REAKTOR.
Now, 25 years and countless other instruments later, we’ve been digging through the archives...
Surreal transformations
With Finisher DYNAMO you embark on a journey through animated soundscapes and surreal vibes beyond the realm of the ordinary.
Every Finisher FX plug-in is designed to deliver the power and flexibility of a full rack of audio processors and effects with the instant gratification that UJAM products are famous for.
What’s in there?
50 versatile multi-effect modes
290+ presets pre-categorized to maximize workflow and productivity
5-pattern rhythm selector, tone control and 2 variable FX controls
Available in VST, AAX, AU formats
HERITAGE ORGAN
UNIVERSAL SYNTHETIC ORGAN
A brand new instrument by SoundFingers, Heritage Organ is a unique tool for all your productions.
Made for modern productions, it features a new way of designing your sound.
For Reggae, Dub, Funk, Soul, Blues, Rock… All genres where you’ll need a great organ sound.
A UNIQUE INSTRUMENT
HERITAGE
Heritage is what is transmitted by our predecessors, handled down from the past generations to the new.
But Heritage is much more than preserving, displaying, or restoring a collection of all things.
It’s the range of contemporary activities, meanings, and behaviors that we draw from them.
ANOTHER APPROACH
Therefore, Heritage Organ is a modern approach inspired by the spirits of the Ancients
but it’s...
October 23, 2021: Voxengo Elephant version 4.16 is now available for download.
Voxengo Elephant is a mastering limiter plugin for professional audio and sound production applications,
available in AAX, AudioUnit, VST, and VST3 plug-in formats, for macOS and Windows computers.
Changes in version 4.16:
Updated PRVHASH noise generator to the latest version 4.0, `prvhash_core64i`.
Made input level meter to display signal after DC filter, not before it (this is an old short-coming).
SAMPLING MEETS MODELING, AGAIN
We have been planning a horns project for awhile, (our first recordings were back in 2012) but many things prevented us from doing it until now,
namely the fact that we wanted to avoid the need for too many keyswitches, in favor of being able to just control the air flow.
Thanks to our recent work on a hybrid technology blending samples and modeling, we were able to overcome both of these problems and take advantage of having the best of both worlds:
impeccable authentic sounding horns with a...
ㅤㅤㅤㅤㅤ绕~The first feature update for Cinematic Rooms Professional is here and introduces chorusing – a fantastic way to adding even more richness and body to our flagship Atmos reverb.
For more information about the chorus feature, and audio demos and information about maintenance fixes (these fixes also apply to the standard edition) please read on… but first a little history.
The History Of Chorusing In Reverb
Algorithmic reverbs are built using a series of feedback delay loops – audio moves around them hitting attenuators, filters and delays.
The audio is then read out of the loops at various points on the journey creating...
A new addition to the PSP Audioware lineup, PSP Saturator brings its refined algorithms,
and pushes the quality of saturation to a new level and can virtually heat up your production.
PSP Saturator emulates the way that analog devices such as tape recorders and valve circuits warm up and “saturate” your audio material.
This is achieved by adding harmonics, dedicated filtering, and dynamic processing.
PSP Saturator uses three algorithms to emulate these devices,
and offers eight different shape modes for loads of flexibility from subtle 'mix mojo' to outright audio destruction.
We value feedback from our community. We’ve been listening to what you’ve been saying about the AX73
and have updated it with a brand new voice Allocation switch, as well as several bug fixes.
What is Alloc?
The new Alloc function determines how “voices” are allocated.
Simply put, when this feature is engaged a new voice is selected when playing a repeat note, which will smooth out presets like pads and strings;
instead of resetting the current voice, causing some patches to sound like they are cutting out abruptly when releasing and pressing them again.
This feature puts the control in YOUR hands to determine how the voicing responds!
The Hard Rock EBX is an expansion for EZbass designed for use in bombastic, heavy and genuine hard rock productions
where the bass has an unquestionably central role.
The instrument, which has cemented its place at the pantheon of hard rock alongside iconic players like Lemmy, Cliff Burton, Roger Glover, Glenn Hughes
and Phil Lynott, is nothing short of a bona fide rock star itself.
With its gut-punching low end, roaring mid range and zingy but ever-so-balanced highs,
it’s the definition of a rock solid bass for serious hard rock songs.
Add to that the comprehensive collection of presets and the MIDI that comes with this bulldozer of an EBX
and you’ll have what is sure to become a workhorse in your heavy rock toolbox from here on out.
If you’re looking for a bass that can muster anything from the piercingly clear to the most gritty,
gnarly and wrecking ball-like of tones, this is it.
Time to make some...
TRINZ - COLOURS PST
FRESH SOUNDS FROM THE UK DRILL SCENE
The first sample library of its kind to lend itself to multiple genres, this self-contained toolkit offers instant inspiration.
At its core is a wide range of tempo-mapped loops created from multi-layered guitar, keys, synths, sax performances, split into stems across a colour-mapped keyboard.
In addition, explore drum loops and kits, deep sub-basses, old-school wavey synth pads, melodic instruments and visceral textures which can all be manipulated
and warped within the plug-in to create immersive atmospheres.
Our first collaboration with QMF, Colours PST has roots in the UK drill scene — curated by Trinz,
a producer with a distinctive sound and impressive production credits, including Digga D, Plutonio, and E1 (3X3). While designed for beat makers
and producers creating drill, grime or hip hop tracks, its bespoke range of in-built sound-sculpting...
Lustrous Plates v1.1 is now available, this free update offers new features including three new plate models, a resizable UI and extra presets.
There are also bug fixes relating to macOS Monterey and improved support for VST3 in FL Studio.
New Models
The new plates are:
Osmium: A rich reverb capable of very clean, short ambiences
Platinum: Very dense and bright, with rich lows on longer decays
Gold: Simulation of the rare ‘gold foil’ compact plate reverberator
Osmium and platinum are wonderfully rich sounding plates perfect for drums and vocals, but the gold model is...
Ample Slide Lapsteel is sampled on a 70's Jedson Lap Steel (David Gilmour Custom Model with one EMG pickup)
System Requirements:
Windows: Windows 7/8/10, 64-bit only (32-bit not supported).
Mac: 10.9 or higher.
VST2, VST3, AU, AAX and Standalone host.
10 GB Hard Disk, Intel i5 or higher.
Sampling:
Size:2.8 GB
Stereo and Mono Modes.
Sustain, Legato Slide, Slide in & out, Quarter Slide, Natural Harmonic, Legato Vibrato, Buzzing, Glissando 9 articulations.
Technology:
Legato Slide system designed...
Frendo is a custom-built Soundiron instrument.
We created this monster by stringing bailing wire around and through steel plates and bolts, over galvanized steel piping and across wood planks.
It was meant to suffer. You can help by mistreating it in horrible ways with screwdrivers, bows, drum sticks, mallets and fingers.
The instrument holds a vast amount of otherworldly sounds, which is ideal for composers looking for new disturbing, horror-like textures for their scores.
Frendo is partially a mallet instrument, recorded with wooden and rubber mallets, but is also a more traditional string instrument, since we recorded finger plucks and bows.
It's the sound of Satan's cello, weeping softly for your burning soul.
Made of knotty pine, rusted steel bailing wire, eye bolts, hooks, deck screws, hurricane brackets and an old 24" bass drum,
this 5-stringed son of a bitch was 8 feet long and 3 feet wide.
The...
Atelier Series Sasaki Trumpet is a legato trumpet library performed by session musician and educator, Mikio (Miki) Sasaki.
Recorded at Orb Studios in Austin, Texas – the goal was to create a responsive/snappy instrument full of energy, vibe and utility.
One decision we made to help facilitate this goal was to record all of the material in a dry studio space.
This way you have the option to really customize the sound before hitting it with your favorite reverb.
Part of the character of a trumpet performance is attributed to the style and quality of vibrato.
We asked Miki to perform vibrato that could suit a variety of energetic contexts appropriately for each setup.
We also recorded the legato in an “impulsive” fashion to capture transitions that are more contextually-relevant; suited for energetic lines with real movement.
Wind instruments (certainly brass) tend to share changes in intonation depending on dynamics, range and...
SyncPlay is a brand new, intuitive way to perform/compose music with loops and your keyboard.
It will bring superpower to your already existing loop/pattern libraries.
Always in Sync.
Drop your loops to each track and start playing.
SyncPlay will sync all of your loops to your bpm with a world class time-pitch scaling algorithm.
You can riff with your patterns, chop them, speed up or slow down.
Pattern Composing Tech.
Now, in SyncPlay, when you play a sample (by keyboard or MIDI),
it will start playing at a synced position (to your DAW and other loops) allowing you to compose
while playing and add detailed gestures, even live effects.
In 1986, the synth skies were studded with digital technology. That’s why the original AX73, with its proudly all-analog signal path ended up flying under the radar.
Martinic has taken what was great about the original AX73 and elevated it into a powerful, flexible software instrument that fits right into the modern producer’s lineup of go-to synths.
With four analog oscillators across two synth layers, unique modulation features, extended performance options,
and an eight-module effects section, this plugin AX73 (VST/AU) unleashes the full power of...
ABBEY ROAD ONE: VIBRANT REEDS
THE ICONIC SOUND OF CINEMA
Add brilliance and colour to your themes with this set of masterful performances captured in Abbey Road’s legendary Studio One.
Featuring London’s first-call session players, Vibrant Reeds offers dazzling oboes
and clarinets as well as the evocative pairing of oboes and cor anglais, a classic cinematic sound heard on countless scores.
With essential and unique techniques such as longs, staccatos, mordents,
and Spitfire’s new easy-to-use legato patches, you have everything you need to create scores ready for the big screen.
Vibrant Reeds is available to purchase as a stand-alone library or as a powerful addition to Abbey Road One: Orchestral Foundations.
You can also purchase this as part of Abbey Road One: The Collection and save 30%
MagicVerb is the latest result of the collaboration between MagicDeathEye aka Ian Sefchick and DDMF.
This journey was a little more creative as we weren’t modeling a piece of hardware. We were modeling spaces and experimenting with EQ and texture.
Ian spent a decade working at a studio known for its chambers and that dark beautiful feeling of space was always with him when creating these models.
We had a lot of his engineer and producer buddies check em’ out and used their feedback to tighten everything up.
We also put a really cool plate and model of a classic digital reverb in there as well.
Illusion v1.2 introduces a pair of dynamics processors that are ideal for use in contemporary reverb production techniques that call for compression or ducking.
but read on to find out why Illusion’s processors can do so much more than a side-chained compressor ever could in your DAW!
Using compression or ducking (side-chaining a compressor inserted after the reverb with the dry signal) in Illusion allows you to control the dynamics of a reverb in specific parts of the reverb engine.
That could be the input, the entire wet signal, just the reverb, just...