Avid 发布 Pro Tools 2022.6 版本更新

[徐嘉泽]

Pro Tools每次的更新都让用户翘首期待，在数月前发布的Pro Tools堪称是史诗级更新。三个月后，Avid正式给我们带来了全新的夏季版本，即Pro Tools 2022.6.
该版本引入了相当多的功能增强和流程改进，例如 MIDI 编辑和杜比全景声，建议用户都进行更新。​

Sends Default Level Preference​

In previous versions of Pro Tools newly created sends were created at unity unless the preference “sends default to -INF” was checked in the Mixing tab of the Pro Tools Preferences. The new Sends Default Level Preference allows you to set any default value from -144dB to +12dB, the default setting is -INF, a useful timesaver as -INF is always going to be too quiet and unity is very often too loud. Now you can choose your own default.​

默认发送电平偏好​

在之前版本的Pro Tools中，发送除非在选项中设置为“发送默认值设置为 -INF，不然则设置为“统一”，这对于用户来说不太方便。
新的发送默认电平偏好选项可以让你设置默认发送的电平范围是-144dB到+12dB中的任何一个值，而默认设置是-INF。
这是一个节省时间的选项，毕竟以前的-INF太过于安静、"统一"经常太大。现在你可以自由设置默认值了。​

Docked MIDI Editor Option​

The Docked MIDI editor is overlooked by many, with the Floating MIDI editor being the more commonly used option. This is probably because the options presented in the MIDI Preferences for what happens when you double-click a MIDI clip offers a choice of (floating) MIDI editor, Score editor, MIDI event list or Name dialog but the Docked MIDI editor hasn’t been an option in this Prefs drop down or in the right-click contextual menu. The Docked MIDI editor is now listed in these options. When you are ready to close the docked MIDI editor use the shortcut Control+Opt+Shift+= (Start+Alt+Shift+= on PC).​

停靠MIDI编辑器选项​

停靠的 MIDI 编辑器被许多人忽视，浮动 MIDI 编辑器是更常用的选项。这可能是因为 MIDI 首选项中显示的选项提供了（浮动）MIDI 编辑器、乐谱编辑器、MIDI 事件列表或名称对话框的选择，但停靠的 MIDI 编辑器不在此列（下拉或者右键上下文菜单）。
停靠的 MIDI 编辑器现在列在这些选项中。当您准备关闭停靠的 MIDI 编辑器时，也可以使用快捷键 Control+Opt+Shift+=（PC 上的 Start+Alt+Shift+=）。
​

Quantize Enhancements​

The Audio/MIDI Quantize dialogue previously offered note values with dotted and triplet alternatives and various Groove presets. This has been updated with an option to follow the value selected in the Bars|Beats Grid. This is a timesaver as previously you had to open the Quantize window to change the quantize value. Since the grid can also be changed using the shortcuts Shift + -/+, you can change the quantize value and then quantize without using your mouse.​

量化增强​

音频/MIDI 量化对话框以前提供带有附点和三连音的音符值以及各种律动预设，它已更新。现在有了一个选项，以实现可以遵循在 小节|网格 中选择的值。
这是一个节省时间的方法，因为以前您必须打开“量化”窗口来更改量化值。 由于也可以使用快捷键 Shift + -/+ 更改网格，因此您可以更改量化值，然后在不使用鼠标的情况下进行量化。

工作流程增强对此进行了补充，其中 MIDI 量化应用于选定的 MIDI 音符，而不必打开“量化事件操作”窗口。
要在不打开量化对话框的情况下量化，在 Mac 上按 CMD+Opt+0，在 PC 上按 Ctrl+Alt+0。​

Auto-expanding Grid/Nudge display​

In previous Pro Tools versions, the MIDI Editors (docked and window) had a toolbar option to show the Grid/Nudge display as a single unit, either Grid or Nudge depending on which was selected, or both when Expanded Grid/Nudge Display was selected. In most cases, both values should be displayed because they are both important to most workflows and operations. In Pro Tools 2022.6, the display is expanded automatically if there is enough room to show both.​

自动扩展网格/微移显示​

在以前的 Pro Tools 版本中，MIDI 编辑器（停靠和窗口）有一个工具栏选项，可将网格/微移显示显示为单个单元，网格或微移取决于选择的哪个单元，或者在选择扩展网格/微移显示时两者都显示。
在大多数情况下，应该显示这两个值，因为它们对大多数工作流和操作都很重要。 在 Pro Tools 2022.6 中，如果有足够的空间来显示两者，则会自动扩展显示。​

Video Timecode Overlay​

Pro Tools Ultimate now lets you enable a real-time timecode overlay for both the Video window in Pro Tools as well as on any connected video hardware display.
To facilitate this a new Timecode Overlay button has been added to the Video Track Track header, Command clicking this button on a Mac, or Control clicking on a PC, will open the new Timecode Overlay Settings dialogue.
This Timecode Overlay can be burnt into bounced Mov files by checking the new ‘Include Timecode Overlay” in the video section of the Bounce Mix dialogue.​

视频时间码叠加​

Pro Tools Ultimate 现在允许您为 Pro Tools 中的视频窗口以及任何连接的视频硬件显示器启用实时时间码叠加。
为了促进这一点，新的时间码叠加按钮已添加到视频轨道标题中，在 Mac 上单击此按钮的命令或在 PC 上单击控制，将打开新的时间码叠加设置对话框。
通过在 Bounce Mix 对话框的视频部分中选中新的“Include Timecode Overlay”，可以将此时间码叠加刻录到并轨的 Mov 文件中。
​

Dolby Atmos Improvements / Dolby Atmos 改进​

Link to ADM​

Rather than having to convert media from an ADM into multi-mono files, Pro Tools 2022.6 now allows you to link to the ADM as source media. This is faster than creating new media upon import and so is useful for when you might want to open a file quickly for inspection or to perform basic edits. However, because linking to ADM files places more load on the host computer in terms of processor and disk usage you should transcode where performance is likely to be degraded. Performance is significantly degraded if clips linked to an ADM are moved relative to each other.​

链接到 ADM​

Pro Tools 2022.6 现在无需将 ADM 中的媒体转换为多单声道文件，而是允许您链接到 ADM 作为源媒体。
这比在导入时创建新媒体要快，因此对于您可能想要快速打开文件进行检查或执行基本编辑时很有用。
但是，由于链接到 ADM 文件会在处理器和磁盘使用方面对主机造成更多负载，因此您应该在性能可能降低的地方进行转码。 如果链接到 ADM 的剪辑相对于彼此移动，性能会显着降低。
​

Offline Bounce of Dolby Atmos Re-renders​

Pro Tools lets you bounce re-renders of 7.1, 5.1, 2.0, and binaural Dolby Atmos mixes offline. The full mix can also be included, or it can be filtered by Bed, Object, and/or Group. Multiple renders can be included along with the master ADM file in a single bounce, without going through the process of generating an ADM, importing it into the Dolby Atmos renderer, and then doing a separate export of the re-renders from the renderer.​

​

杜比全景声重新渲染的离线 Bounce​

Pro Tools 可让您离线重新渲染 7.1、5.1、2.0 和双耳杜比全景声混音。
也可以包括完整的组合，或者可以按 Bed、Object 和/或组过滤。
多个渲染可以与主 ADM 文件一起包含在一次Bounce中，而无需经过生成 ADM、将其导入杜比全景声渲染器、然后从渲染器单独导出重新渲染的过程。
​

Re-Renders Bounce Options​

Multiple new options exist in the Bounce Options including the option to choose between Multiple mono and interleaved files and the option to choose the source of program level metadata to be applied to both the ADM and the re-renders. This metadata can be applied from the connected renderer or the last imported ADM.​

重新渲染 Bounce 选项​

Bounce Options 中存在多个新选项，包括在多个单声道和 interleaved 文件之间进行选择的选项，以及选择要应用于 ADM 和重新渲染的程序级元数据源的选项。 可以从连接的渲染器或最后导入的 ADM 应用此元数据。
​

Composite Beds​

Pro Tools lets you assign individual Dolby Atmos groups to different beds that share the same output. This means you can maintain a single bed in the renderer and also sub-divide the content by groups when creating re-renders.
To put it as simply as possible, if you have multiple submixes for different ‘food groups’ (dialog, music, FX, etc.), and those mixes ultimately combine to feed a single bed, it was previously impossible to generate re-renders that only included the individual members of the composite. This was because the submixes were already mixed together by the time the signal reached the renderer.
Pro Tools will now allow you to assign a Dolby Atmos group to different busses, as long as they are mapped to the same output and bed assignment. This way, Pro Tools can pick off the signal during export before it is merged at the output. It enables the beds to participate in different ‘food groups’, while still only utilising a single bed’s worth of input channels to the renderer.
This is very helpful when working with high channel counts (if channels are at a premium and need to be reserved for more objects). This lets you generate re-renders for different groups with unique content in each of the beds, but without using extra channels for each bed.​

复合 Bed​

Pro Tools 允许您将单个 Dolby Atmos 组分配到共享相同输出的不同 Bed。
这意味着您可以在渲染器中维护一个单个 Bed，并在创建重新渲染时按组细分内容。
尽可能简单地说，如果您有多个子混音用于不同的“food groups”（对话、音乐、FX 等），并且这些混音最终结合起来喂给一个 Bed，以前不可能生成重新渲染这仅包括复合床的单个元素。
这是因为在信号到达渲染器时子混音已经混合在一起。 Pro Tools 现在允许您将 Dolby Atmos 组分配给不同的总线，只要它们映射到相同的输出和 Bed 分配。
这样，Pro Tools 可以在导出过程中提取信号，然后在输出处合并。它使 Bed 能够参与不同的“food group”，同时仍然只使用单个Bed的输入通道到渲染器。
这在处理大量通道时非常有用（如果通道非常宝贵并且需要为更多 Object 保留）。这使您可以为每个Bed中具有独特内容的不同组生成重新渲染，但无需为每个 Bed 使用额外的频道。
​

Pro Tools | Sync X Improvements​

The Pro Tools Sync hardware peripheral now supports a standalone mode enabling its use when Pro Tools isn’t running. You can now use the device to generate or translate timecode or to use it as a master clock independently of Pro Tools. Sensibly, Standalone mode is operated entirely from the front panel of the unit. Sync X settings remain unchanged when Pro Tools is quit and Pro Tools can acquire and change settings next time it is launched if changes have been made in Standalone mode.​

​

Pro Tools | Sync X 改进​

Pro Tools Sync 硬件外设现在支持独立模式，可以在 Pro Tools 不运行时使用。
您现在可以使用该设备生成或转换时间码，或将其用作独立于 Pro Tools 的主时钟。
明智一点地说，独立模式完全从设备的前面板操作。
Sync X 设置在 Pro Tools 退出时保持不变，如果在 Standalone 模式下进行了更改，Pro Tools 可以在下次启动时获取和更改设置。

A firmware update is required to use Standalone mode.
需要固件升级以启用 Standalone 模式​